Carlos sáenz de tejada

Szukalski sculpture reproduction

He was the son of the diplomat Carlos Sáenz de Tejada y Groizard[1] and María de Lezama González del Campillo; his family comes from the old aristocracy or provincial nobility strongly rooted in the Rioja Alavesa that, since the crisis of the Old Regime in the first third of the 19th century, had lost the preeminence of their social status of rentiers, being forced to join the exercise of a profession. The Sáenz de Tejada family opted, preferably, for consular and diplomatic careers, law, journalism, literature or even politics.
The fact that he spent his summer vacations in his family home in the town of Laguardia (where he would be named adopted son in 1938 -some biographies consider him to have been born there- and his sympathies for Carlism made it obvious that he supported the coup d’état of July 1936.
He became a professor of mural painting at the Escuela de Artes y Oficios Artísticos de Madrid (1941-1950) and the chair of illustration at the Escuela Superior de Bellas Artes de San Fernando (1942-1958).

Carlos sainz

He was the son of the diplomat Carlos Sáenz de Tejada y Groizard[1] and María de Lezama González del Campillo; his family came from the old aristocracy or provincial nobility strongly rooted in the Rioja Alavesa which, since the crisis of the Old Regime in the first third of the 19th century, had lost the preeminence of their social status as rentiers, being forced to join the exercise of a profession. The Sáenz de Tejada family opted, preferably, for consular and diplomatic careers, law, journalism, literature or even politics.
The fact that he spent his summer vacations in his family home in the town of Laguardia (where he would be named adopted son in 1938 -some biographies consider him to have been born there- and his sympathies for Carlism made it obvious that he supported the coup d’état of July 1936.
He became a professor of mural painting at the Escuela de Artes y Oficios Artísticos de Madrid (1941-1950) and the chair of illustration at the Escuela Superior de Bellas Artes de San Fernando (1942-1958).

Uprising

He was the son of the diplomat Carlos Sáenz de Tejada y Groizard[1] and María de Lezama González del Campillo; his family came from the old aristocracy or provincial nobility strongly rooted in the Rioja Alavesa that, since the crisis of the Old Regime in the first third of the 19th century, had lost the preeminence of their social status of rentiers, being forced to join the exercise of a profession. The Sáenz de Tejada family opted, preferably, for consular and diplomatic careers, law, journalism, literature or even politics.
The fact that he spent his summer vacations in his family home in the town of Laguardia (where he would be named adopted son in 1938 -some biographies consider him to have been born there- and his sympathies for Carlism made it obvious that he supported the coup d’état of July 1936.
He became a professor of mural painting at the Escuela de Artes y Oficios Artísticos de Madrid (1941-1950) and the chair of illustration at the Escuela Superior de Bellas Artes de San Fernando (1942-1958).

Marini oil painting

He was the son of the diplomat Carlos Sáenz de Tejada y Groizard[1] and María de Lezama González del Campillo; his family comes from the old aristocracy or provincial nobility strongly rooted in the Rioja Alavesa that, since the crisis of the Old Regime in the first third of the 19th century, had lost the preeminence of their social status of rentiers, being forced to join the exercise of a profession. The Sáenz de Tejada family opted, preferably, for consular and diplomatic careers, law, journalism, literature or even politics.
The fact that he spent his summer vacations in his family home in the town of Laguardia (where he would be named adopted son in 1938 -some biographies consider him to have been born there- and his sympathies for Carlism made it obvious that he supported the coup d’état of July 1936.
He became a professor of mural painting at the Escuela de Artes y Oficios Artísticos de Madrid (1941-1950) and the chair of illustration at the Escuela Superior de Bellas Artes de San Fernando (1942-1958).